The essay did not fit your needs? It is made out of marble and it's 6 ft 6 inches tall. The statue is of a man who seems to be athletic somebody who turns out.
Rendered somewhat above life-size, the lost bronze original of the work would have been cast circa BCE, but it is today known only from later mainly Roman period marble copies.
The work nonetheless forms an important early example of both Classical Greek contrapposto and classical realism ; as such, the iconic Doryphoros proved highly influential elsewhere in ancient art.
|Media in category "Doryphoros from Pompeii (Naples)"||Pausanias is adamant that they were not the same person, and that Polykleitos was from Argos, in which city state he must have received his early training,  and a contemporary of Phidias possibly also taught by Ageladas. Works[ edit ] Polykleitos' figure of an Amazon for Ephesus was admired, while his colossal gold and ivory statue of Hera which stood in her temple—the Heraion of Argos —was favourably compared with the Olympian Zeus by Pheidias.|
|Polykleitos - Wikipedia||Oct 17 Chapter Five:|
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Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the " Kanon " or Canon, translated as "measure" or "rule"exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the sculpted form.
Sometime in the 2nd century CE, the Greek medical writer Galen wrote about the Doryphoros as the perfect visual expression of the Greeks' search for harmony and beauty, which is rendered in the perfectly proportioned sculpted male nude: Chrysippos holds beauty to consist not in the commensurability or "symmetria" [ie proportions] of the constituent elements [of the body], but in the commensurability of the parts, such as that of finger to finger, and of all the fingers to the palm and wrist, and of those to the forearm, and of the forearm to the upper arm, and in fact, of everything to everything else, just as it is written in the Canon of Polyclitus.
For having taught us in that work all the proportions of the body, Polyclitus supported his treatise with a work: He was interested in the mathematical proportions of the human form, which led him to write an essay the Kanon, on the proportions of humans. The Doryphoros is an illustration of his writings in Kanon on the symmetria between the body parts.
Polykleitos achieved a balance between muscular tensions and relaxation due to the chiastic principle that he relied on. The original was made out of bronze in about BCE, but is now lost along with every other bronze sculpture made by a known Greek artist.
Neither the original statue nor the treatise have yet been found; it is widely considered that they have not survived from antiquity. Fortunately, several Roman copies in marble—of varying quality and completeness—do survive to convey the essential form of Polykleitos' work.
The sculpture stands at approximately 6. Polykleitos used distinct proportions when creating this work; for example, the ratio of head to body size is one to seven. His head turned slightly to the right, the heavily-muscled but athletic figure of the Doryphoros is depicted standing in the instant that he steps forward from a static pose.
This posture reflects only the slightest incipient movement, and yet the limbs and torso are shown as fully responsive. The left hand originally held a long spear; the left shoulder on which the spear originally rested is depicted as tensed and therefore slightly raised, with the left arm bent and tensed to maintain the spear's position.
The figure's left leg pushes off from behind the right foot; the leg bears no weight and the left hip drops, slightly extending the torso on the left side. The figure's right arm hangs positioned by his side, perhaps held slightly away from the torso for balance, but otherwise bearing no load—the right shoulder is therefore slightly lowered.
The figure's right leg is shown as supporting the body's weight, therefore tensed, with the right hip raised and the muscles of the right torso shown as contracted. The resulting characteristic of Polykleitos' Doryphoros is classical contrappostomost obviously seen in the angled positioning of the pelvis.
In the surviving Roman marble copies, a large sculpted tree stump is obtrusively added behind one leg of the statue in order to support the weight of the stone; this would not have been present in the original bronze the tensile strength of the metal would have made this unnecessary.
A small strut is also usually present to support the right hand and lower arm.
A Study in Ideal Form: Held in the same museum is a bronze herma of Apollonios [height 0. Receiving most attention in recent years has been the well-preserved, Roman period copy of the statue in Pentelic marble, purchased in by the Minneapolis Institute of Art Mia. Largely complete with the exception of the lower left arm and fingers of the right hand, the fine copy height 1.
Mia explains that the copy was found in Italian waters during the s and spent several decades in private Italian, Swiss and Canadian collections before resurfacing in the art market around All of the breaks in this replica are ancient, except for the left arm.
The head has stayed intact. There are some deep scratches on the side and the marks that are on his cheeks and arms are from the roots of plants, which suggest that this copy had been buried for centuries.
When it was found, it was in six pieces and has been reassembled. The tip of his nose has been broken off, along with his left forearm and hand, part of the right foot, the penis, and some of the digits of the fingers on the right hand.
There is an indentation on his left hip, where the strut that ran to the left forearm has now broken away.Read and learn for free about the following article: Polykleitos, Doryphoros (Spear-Bearer). Polykleitos’ Bearer and Laocoon and His Sons Polykleitos’ is a Roman statue.
It is made out of marble and it is 6 feet 6 inches tall. The statue is of a male who looks to be athletic someone who works out. in contrast to the compact frontal mass of Polykleitos' Spear Bearer, Lysippos' Man Scraping Himself reaches out into the surrounding space, inviting viewers to .
Polykleitos of argos and the spear bearer Posted at h in Novedades by Contrapposto An analysis of gods love (Italian pronunciation: [kontrapposto]) A history of the etruscan civilization in ancient italy is an Italian term that means counterpose.
» After Polykleitos of Argos (Greek, ca. /– BCE) Created by master sculptor Polykleitos of Argos (ca. /– BCE), the Doryphoros, or Spear-Bearer, has long been regarded as an exemplum of male beauty as conceived of by the ancient Greeks. Spear Bearer of Polykleitos Marilyn Stokstad, Art History (2 nd ed), Prentice Hall, , p Just as Greek architects defined and followed a set of standards for ideal temple design, Greek sculptors sought an ideal of human beauty.